El Greco who changed the course of Renaissance art
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El Greco who changed the course of Renaissance art

Dominikos Theotokopoulos, known worldwide as El Greco, was one of the most important and innovative artists of the Renaissance. His unique approach to painting, combining elements of Byzantine art with the Renaissance tradition, made him one of the greatest exponents of 16th century art. Although initially not fully recognized in his own time, the value of his work was revealed in subsequent centuries, establishing him as one of the great painters of world history.

From Crete to Venice and Rome

Dominikos Theotokopoulos was born in 1541 in Chandaka (now Heraklion, Crete), when the island was under Venetian rule. In Crete, where he was taught the basics of Byzantine iconography, he laid the first foundations for his later artistic career. He is considered one of the last important representatives of Byzantine art, but his desire to immerse himself in the Western Renaissance tradition prompted him to leave the island.

In 1567 he went to Venice, then a centre of artistic and cultural activity. There he had the opportunity to study the works of the greatest masters of the time, such as Titian and Tintoretto. Theotokopoulos then moved to Rome in 1570, where he came into contact with the classical tradition and the ideals of Mannerism. Despite being deeply influenced by Italian currents, El Greco developed his own distinctive style, which set him apart from his contemporaries.

One of El Greco’s first works in Venice is “The Cure for the Blind”, which captures the influence of the Venetian school with strong colours and detailed rendering of figures.

Maturity in Spain

Theotokopoulos’ relocation to Spain in 1577 was decisive for his career. In Toledo, where he settled permanently, he found an environment that appreciated his artistic genius. There, El Greco created his most iconic works, obtaining commissions from religious institutions and powerful patrons.

El Greco’s style was characterized by elongated figures, strong expressions and dramatic gestures. His use of light and colour in his work makes him one of the first artists to use light as a crucial element in the narrative of the image. His religious themes, inspired by Christian ideals, transcend the formal representation of figures, introducing a spiritual dynamism.

One of his most famous works, The Burial of Count Orgath (1586-1588), is considered a masterpiece of Western art. The work combines the styles of Italian Mannerism with the spiritual expression of Spanish art. It depicts the divine and human dimension of life, with an extraordinary contrast between the supernatural light of the upper part and the more earthly scene of burial at the bottom. The complexity of the work, both in its composition and in its conceptual depth, highlights El Greco as an artist who explored the boundaries of his art.

“The Burial of Count Orgath” – the photograph of this work highlights El Greco’s technical and intellectual genius in rendering the human and divine dimension.

The Legacy of El Greco

El Greco failed to gain universal acceptance in his time, as his style was considered eccentric and too far removed from the mainstream of art. However, later centuries recognized his innovative vision and uniqueness. In the late 19th and early 20th centuries, modern artists began to appreciate and draw inspiration from El Greco’s work. Artists such as Pablo Picasso and Paul Cézanne found in his elongated figures and expressive forms elements that matched their own revolutionary ideas about art.

El Greco’s legacy is not limited to his aesthetic influence. Theotokopoulos represents the meeting and synthesis of different cultural and religious currents. His path from the Byzantine art of Crete to the Venetian Renaissance and finally to Spanish religious painting, reflects his flexibility and ability to draw from different traditions, creating a personal and universal artistic discourse.

Today, Dominikos Theotokopoulos is recognized as one of the greatest painters of all time, with exhibitions dedicated to him in museums around the world. His works are housed in some of the world’s most renowned museums, such as the Prado Museum in Madrid and the Metropolitan Museum of Art in New York, while his native Crete keeps the memory of the great artist alive through events and tributes.

A work that combines El Greco’s religious and artistic acumen is “The Fifth Seal of Revelation,” a work intended for the church in Toledo, but which retains a strong spiritual and symbolic dimension.

The story of Dominikos Theotokopoulos exemplifies the timeless importance of art and the ability of an artist to bridge worlds and traditions, leaving an indelible imprint on the history of global artistic creation.

 

TIPS…


  • Domenikos Theotokopoulos remain known with the nickname “El Greco”, which means the Greek, the nickname was given to him in Italy as a reference to his Greek origin. The article “El” possible comes from the Venetian dialect or Spanish. His respective nickname in Spanish would be “El Gregio”. In Italy and Spain was known as “Domenico Greco”, ie Domenico the Greek, while his nickname El Greco prevailed after his death. He was signing his artwork as “Demenikos Theotokopoulos” in order to give emphasis to his Greek origins.
  • According to a census of his belongings made by his son, Jorge Manuel, Theotokopoulos had 27 Greek philosophy, literature and religious books, 67 Italian books, 17 Spanish books, 19 architecture books, three workbenches, 143 paintings, 15 models from plaster, 30 models of clay and wax, 150 drawings, 30 drafts and 200 chalcographies.
  • Pablo Picasso was greatly influenced by El Greco and he characterized him as his “father” regarding painting.
  • During his lifetime, El Greco’s work was appreciated and promoted more from scholars, humanists and intellectuals and less from the artistic establishment.
  • El Greco refuses to pay taxes, arguing that painting is a liberal and not a mechanical art. He is the first artist to be granted tax exempt status in Spain.

 

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